Related Papers
Tehuacán-Cuicatlán. Patrimonio de la Humanidad Cultural y Natural
2019 •
Francisco Vidargas
Commemorative edition of the inscription of the Tehuacan-Cuicatlan Valley site: habitat native to Mesoamerica, to the UNESCO World Heritage List.
Música em Perspectiva
A Cúmbia dos Ancestrais: Música ritual e mass-media na Huasteca
2014 •
Gonzalo Diaz
A Cidade dos Deuses e as Colinas dos Mortos: Interação entre as elites de Teotihuacan e Kaminaljuyu
Fernando Pesce
The present research aims to investigate the iconography and trajectories of the cylindrical tripod vessels recovered by the excavations of the Carnegie Institute of Washington, during the 1930s and 1940s, in Kaminaljuyu, Guatemala. In the case of the trajectories we seek to restore, as far as possible, the multiple material networks and use of these ceramics: its manufacture, ritual and funerary applications, reintroduction in society and subsequent musealization. In the same way, we seek to point out the motifs and themes present in the iconography of the vessels, in order to infer their symbolic meaning for the ancient elites of the site. To trace the course of these vessels, we applied theories and methods linked to materiality, especially a current that seeks to observe the circulation of objects through a biographical bias or “social life of things”; even so, we combine this method with the traditional iconographic analysis for the symbolic identification of the scenes painted in the vessels. In addition, a corpus of cylindrical tripods was produced, aiming beyond its organization, to provide a research tool for future researchers. With this we hope to shed new light on the use of themes and styles in the painted ceramics of the Esperanza phase in Kaminaljuyu.
Cultura Y Arte En Tierra De Campos Jornadas Medina De Rioseco En Su Historia 1a 2000 Medina De Rioseco 2001 Isbn 84 7852 144 5 Pags 481 502
La cultura tradicional en la Tierra de Campos:: Una aproximación desde la historia
2001 •
Jose Luis Alonso Ponga
Revista Destaques Acadêmicos
Tradições Culturais Açorianas e De Seus Descendentes Na Região Vale Do Taquari, Rio Grande Do Sul/Brasil
2017 •
Luís Fernando Laroque
O estudo analisa elementos da cultura açoriana e de seus descendentes, considerando as tradições e a religiosidade, presentes na Região Vale do Taquari, Rio Grande do Sul/Brasil. O referencial teórico ancora-se em autores com foco em estudos culturais. O método de abordagem é o qualitativo e de conteúdo, utilizado no tratamento de fontes bibliográficas orais e documentais. O estudo, inicialmente, apresenta a colonização açoriana no Rio Grande do Sul e na Região Vale do Taquari, delimitando como recorte espacial, particularmente, os municípios de Taquari e de Paverama. Na sequência, e tomando como fio condutor os referidos municípios, analisam-se elementos culturais dos açorianos e de seus descendentes na Região Vale do Taquari, considerando aspectos gastronômicos, arquitetônicos e irmandades religiosas, com enfoque na procissão de Corpus Christi e nas festas em homenagem aos santos padroeiros das capelas e das igrejas.
Revista de Antropologia
Antropofa*gia ritual e identidade cultural entre os Tupinambá
2002 •
Adone Agnolin
Antropofa*gia ritual e identidade cultural entre os Tupinambá1
Christian Moleiro
Las Raíces Históricas del Programa Etnomatemáticas
2005 •
Milton Rosa
This paper is designed to serve as an introduction and historical background to ethnomathematics as a program of study. The authors wants to show that ethnomathematics includes the mathematical ideas, perspectives and practices of individuals in different cultures as manifested and transmitted in diverse modes. Any study of the history of ethnomathematics and its proponents helps us to clarify the importance of this perspective in terms of mathematics education. The development of ethnomathematics is documented here, principally as a part of the study of the development of scientific and mathematical ideas and practices made by distinct cultural groups.
Conferencia Regional Española Cisterciense
Supra Devotionem Reliquias Cultos y Comportamientos Colectivos a Lo Largo De La Historia
2019 •
Esther Lupón
PROA: Revista de Antropologia e Arte
A Eternidade de Wiñaypacha como imagem do pensamento andino
2021 •
Indira Viana Caballero
Wiñaypacha (which means Eternity) - the first Peruvian feature film spoken entirely in Aymara - recently premiered, achieving tremendous success not only in Peru but also internationally. Directed by Óscar Catacora, a young Peruvian filmmaker of Aymara origin, the film is a masterpiece due to both its aesthetic and narrative qualities. The purpose of this article is to demonstrate how the film’s script and photography, also signed by the director, work as poetic and potent resources that are revealing of Andean thought regarding, in particular, the idea of Eternity. Finally, it lays emphasis on how, with the success of Wiñaypacha, Andean peoples are now protagonists in places where, thus far, they were mainly bound to subordinate roles.
